Using unstable media the multi-talented group members have truly become masters of the unexpected.
The End of Sitting is social because it invites us to a negotiation of context; it makes us reconsider our routine behaviours and makes us ask “What is it that we are up to here?” It is design because in the negotiation it offers us new perspectives
For the NDSM project we initially started a think tank inviting a diverse group such as developers, architects, artists, squatters. We came together and started to think of alternative development strategies for cities.
Style, then, rather than pertaining to something external to a building, manifests itself as the cluster of affects which make up that building and which determine how people experience it − both aesthetically and in their everyday activities.
For us, making models is to continue the tradition of making things with your hands. We also like to solve issues three-dimensionally and work directly with different materials and textures. We like building things slowly, layer by layer.
Today’s increased complexity and entropy requires different spaces, organised around collaboration, co-learning, and synthesis. Insulated disciplinary typologies can be replaced by loose frameworks, compartmentalising to parts while remaining linked to a whole.
Can artistic engagement with global inequality bring sustainable growth?
We regret to inform you that the upcoming AUDITORIUM double lecture by the renowned architect Peter Eisenman and artist Pieterjan Ginckels, scheduled for Tuesday 21.03 in STUK, is canceled. Peter Eisenman (USA) ca
Which price is architecture willing to pay in the search of an ideal society?
How does the modernist work of Lina Bo Bardi influence a contemporary practice of architecture?
What can informal urban processes and bottom-up dynamics imagine for the city?
How can a broader understanding of the public realm transcend the scope of architecture?