White on White explores the phenomenon of Grace Jones.
June 1968. At the festival d’Avignon, the famous New York actor’s group The Living Theatre attend the premiere of Paradise Now. The actors want to draw the audience into a state of readiness – ready for action in the world outside the theatre.
Elastic Habitat is an immersive installation, a playground of textile sculptures for the viewer to interact with or wear.
Meryem Bayram’s work focuses on the relationship between human behaviour and the constructed environment. Using wood, cardboard, and elastic, she creates installations that suggest a physical space while simultaneously challenging the body to change that space.
A Breath cycle is a variable and varied collection of performances about breathing. All creations depart from the same protocol: guidelines for performers and audiences, handed out at the start of the performance.
Outside, it’s dark, and you wish you were holding a glass of whiskey. And then, the music starts ...
Intelligent machines are increasingly important to our society.
What do you experience during a dance performance? Does the music excite or upset you?
In Sketches on Scarlatti dancer and choreographer David Hernandez creates a full-length performance based on Domenico Scarlatti’s sonatas for harp. Two men and a woman meet in different situations, spatial settings and atmospheres.
Thinking does not play well in an image-based culture. There is not much to see in it. It is not a performing art.
Neil Postman, Amusing Ourselves to Death
What does togetherness mean in 2016? In Mazing five dancers are set in motion by the audience, creating visible networks of action, which emerge from simple social negotiations.
This unique presentation takes its inspiration from the poem Un coup de dés jamais n’abolira le hazard by Stéphane Mallarmé and a rendition of the same poem by Marcel Broodthaers from 1969.