We are convinced that good working conditions and a welcoming environment are key conditions for artistic creation. For the audience, the residency working may be the least visible part of what we do, but it is the beating heart of our House for Dance, Image and Sound. Every day, artists from Belgium and abroad work in the Ateliers, Studio, Labozaal and Soetezaal. STUK’s role as a stimulating workplace is a public secret by now: professional studios, a technical and production staff that thinks along with the artist, apartments within walking distance of STUK and an artists’ kitchen as a lively meeting place.

A residency is always tailor-made. Some artists are still doing research, while others are much further in their process or are close to a premiere. A big amount of artists get the rooms at their disposal, a smaller number of them receives extra support. STUK has the know-how for guidance from A to Z: content and dramaturgy advice, productional and technical support, a financial framework, presentation options, an international network and a close collaboration with the KU Leuven for research. 



8 - 19 January 2018

Igor Shyshko and Tale Dolven are doing a research project together, supported by the Flemish ministry of culture.

8 - 15 January 2018

Where does a body begin? In our new creation, we take the duet form as a starting point for an investigation of the outer edges of human intelligibility.

26 June - 2 July & 3 - 12 October 2017

SHE is a solo performance on the crossroads of DIY-spiritualism, urban shamanism, and feminist channeling practices.

18 - 24 September 2017

Invisible investigates what happens to man when he loses his ground. Created with four young children and three adult dancers, the performance talks of purification, compassion, loss and hope.

11 - 22 September 2017

Manon Santkin works on her new project New Measuring Rites. More info will follow soon. 

4 - 24 September 2017

How can abstract music and dance elicit emotional responses from audiences? What can evolutionary biology tell us emotional reactions to art? Do the sonic qualities of sad music relate to the physical qualities of sad dance?

29 August - 3 September 2017

This residency is a first performative stage in the research process A Dance Of One’s Own.

28 August - 10 September 2017

Maybe it is worth running the risks associated with anthropomorphism (superstition, devinization of nature, romanticism) because it, oddly enough, works against anthropocentrism: a chord is stuck between person and a thing, and I am no longer above o

28 August - 8 September 2017

RULE OF THREE is a mix between a concert and a collection of short stories. The atmosphere of a nightclub is interwoven with a sense of getting lost between the pages of a book.

22 - 31 August 2017

Seul (Alone) aims to investigate the concept of being alone in a mercenary society not interested in giving the possibility to realise our ideals. This loneliness is not depending on the society’s absence.

1 - 20 August 2017

In the work Rasp Your Soul the body of the performer is exposed into a force stream.This stream carries the errors and echoes of language and information of our cultural era. His body is the matter which this stream passes through.

Adaline Anobile & Philipp Enders

In Æ – All ears we work with vocal recordings of poets, neighbors or public figures speaking. We listen to how words move us, and step with their flow.

1 - 11 August 2017

Objects seem sometimes dead, sometimes alive. We mostly act with reason, but sometimes superstitions take the upper hand. Doubt and conviction change roles in the blink of an eye. We constantly shift between different orders of reality.

1 - 11 August 2017

In (working title) two figures, two women, two bodies are committed in an exercise of reaching out surfaces, like the surface of their own bodies, the surface of the floor that its under t

26 June - 5 July 2017

This residency will be the first steps of the creation of a new performance planned to be played during the festival Playground in 2017.

19 - 29 June 2017

By revealing the different building blocks of a dance trio, The moon is the moon is the moon (performed at STUK on May 3) peels away the many layers of choreography.

19 - 25 June 2017

Equipped with the tools of dance, Berlin choreographer Clément Layes face the cycles of life and the infinite recurrence. His new show The Eternal Return features 15 performers in a small room built on the stage.

13 - 28 June 2017

But we never permitted the birth of logic among us.
—Oswald de Andrade, Manifesto Antropófago

5 - 23 June 2017

The departure point of Elsewhere is a research which considers space as an artistic medium with physical, temporal, and social dimensions.

Hagar Tenenebaum

Focusing on repetition and variations repetition as a sort of infantile naïve humorist logic that support processes of learning and unlearning inside fixed forms, as a way to travel in time, to move forward and back again, allowing details to be lost and found and lost

22 May - 4 June 2017

Deepetude is a Deep Etude of embodied rhythm. Polyrhythm is the living object of study.