Kinga Jaczewska - figures.

Over recent years architecture has become a key influence in Kinga’s practice, shaping her movement language through various forms and spatial logics. With figures. she wants to investigate circularity, roundness and cyclicality of methods and forms behind chosen architectural designs and ideas. Together with her collaborators she will look at the work of Eileen Gray and Barbara Hepworth and, in line with their designs, investigate the relation between that which is functional and decorative and what it means in terms movement language. Triggered by the idea to approach dance as visual language, Jaczewska wants to explore what it means to create choreographic objects—a concept she stumbled upon once working on Dry Dances and which she will further explore in the upcoming research project, figures.

TEAM / CREDITS

Cynthia Loemij, Anne-Lene Nordler, Estefania Alvarer Ramirez, Esra Coppur, Melissa Mabesoone

Kinga Jaczewska is a choreographer, dancer, and artist whose work explores the politics of visibility—what is seen, overlooked, or escapes attention, and why. With her work she often draws focus to presences and subjects that were placed at the periphery or are overlooked.

Jaczewska’s work unfolds through long-term research clusters which defined by specific questions, experiment with various mediums and methods. While it takes many forms such as dance, photography, works on paper or text, her work remains rooted in a choreographic approach to movement—always returning to the body as a site of inquiry, relation, reflection, and a vessel for emotional depth and lived experience.