Mohamed Toukabri, Body of Work 2025 © Joeri Thiry STUK
Talk(s) at the Crossroad(s) - Mohamed Toukabri invites
A gathering on the (im)possibilities of fusions, frictions and the coexistence of diverse dance traditions.
In his life and dancing, Mohamed Toukabri navigates between worlds – from street to stage, from hip hop to postmodern dance, from the personal to the political. In his solo Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday, he unravels the systems that make us believe that some dance is better or more important than others and questions which bodies are allowed to appropriate which movements. He speaks with a choreographic voice that is unmistakably his own: rooted but unbound, deeply personal but speaking to a collective consciousness. It is more than a solo – it is an invitation to look beyond the familiar, in a dance where all bodies belong and dance traditions engage in dialogue with each other.
In his artistic research, Mohamed Toukabri engages in collaborations with other dancers and dance makers who work at the crossroads of different dance traditions. On Sunday May 10, he invites some of them to join him and the audience in a conversation about the aesthetic, political and personal questions that concern them. Urban dance styles and other dance genres are slowly gaining a foothold in arts centres such as STUK, but this does not happen naturally. A gathering in the STUKcafé about the possibilities and impossibilities of fusions and frictions, of coexistence and separate worlds that can’t always read each other’s codes. How can we follow the path of tradition, but also keep the way open for the future and the communities that come after us – dancers and audiences alike? How do these dancers and creators rewrite the implicit rules of different dance cultures – those of the street, the dance lines, the cypher or the black box – transforming them, in real time, into a language of their own, connected to diverse communities?
Come and listen and exchange at STUKcafé in Sunday vibes. We will provide interesting conversations and some tasty treats!
Programme
Mohamed Toukabri in conversation with guests. The participants in the conversation will be announced later.
Join us for the performance
On 12 and 13 May Mohamed dances his Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday as part of the festival.
© Judith Arazi
Mohamed Toukabri is a (break)dancer and choreographer, born in Tunisia and based in Brussels. He started breakdancing at 12 and danced as a child with Sybel Ballet Theatre (TN) led by Syheme Belkhodja (2002-2008). At 16, Mohamed studied in Paris at the International Academy of Dance and later returned to Tunisia to continue his studies at the Mediterranean Centre of Contemporary Dance. Between 2006 and 2008, he collaborated with choreographer Imed Jemaa on five productions. In 2008, he began his studies at P.A.R.T.S. Brussels and danced in Babel (2010) by Sidi Larbi Cherkaoui and Damien Jalet. He was part of the Brussels Needcompany (2013-2018) and danced in the revival of Anne Teresa De Keersmaeker’s Zeitung (2012). In 2014, he performed in Sacré Printemps! by Chatcha Company (2014). He is also a part of Sidi Larbi Cherkaoui’s more recent creations Nomad (2018) and the opera Alceste (at Bayerische Staatsoper in Munich, 2019). Mohamed recently worked on the remake of the opera Shell Shock, A Requiem of War with Sidi Larbi Cherkaoui, composer Nicholas Lens and writer Nick Cave for the 100th Anniversary of the World War I at the Philharmonie de Paris (2018.)
His first self-devised work The Upside Down Man (the son of the road) premiered in May 2018. His next work, The Power (of) The Fragile, is a duet with his mother and toured extensively. In the Summer of 2025, his solo Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday premiered at the Festival d’Avignon.
Location
Price
free or support ticket (€5)
Registration required via the ticket button above