POINT OF VIEW

From 20 to 25 April, the exhibition is part of and& festival. Reservations for that week go via the link below.

Angela Washko (°1986) is an American artist and interventionist devoted to creating new forums for discussions of feminism where they do not exist. She actively seeks out new ways to facilitate or enter into conversation with individuals and communities who have radically different ideas and opinions in an attempt to create spaces for discussion, productive dissent and complexity. Throughout her practice, she investigates how power structures are embedded into our collective consciousness through media. A life-long gamer, her work takes the form of performance (in both virtual and physical spaces), actions, interventions, video games, videos, prints and books.

In her solo show in STUK, Point of View, Washko is presenting four bodies of work including The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft (2012-2016), Heroines with Baggage (2011-2014), BANGED (2015-2017) and The Game: The Game (2016-2019).

Installation shots

© Kristof Vrancken

In 2012, Washko founded The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft with a goal to facilitate discussions with other players about the misogynistic, homophobic, racist and discriminatory language used within the game space. Instead of just continuing to ‘go on quests and kill stuff’, she created a series of video-documented performances - two of which are included in the show - in which she initiated and facilitated conversations about gender and discrimination within World of Warcraft.

For her video series Heroines with Baggage, Washko started to replay the 1990s role-playing video games which were formative to her as a child. Upon replaying these games, it became clear to the artist that the women represented were frequently portrayed as collapsing, running scared, afraid of being alone, and always in need of rescue by a male protagonist. By constructing videos featuring only scenes focused on female characters from these games, Washko makes the presence of these stereotypes and oversimplified gender binaries visible and woefully obvious.

BANGED is a series of works Washko created around the figure of Roosh V, ‘the Web’s most infamous misogynist’ and a professional pick-up artist. A leader of the manosphere (an online anti-feminist network mobilized around the notion that men are more oppressed than women), Roosh V has written numerous books on how to have sex with women across cultural barriers as quickly as possible. His tales of sexual conquests were widespread, however never giving voice to the women involved. During the process of soliciting stories from these women to create a parallel compilation to his stories and texts, Washko ended up doing a video interview with the manosphere figurehead himself. The interview video along with performances and books about her experience with the manosphere community afterward make up the BANGED project.

Resulting from continued research into the pick-up artist (PUA) community is the last body of work presented in the exhibition: The Game: The Game. Composed entirely of scenarios, techniques, and language from texts and instructional videos created by pick-up artists, The Game: The Game is a feminist dating simulator video game designed to give players the experience of interacting with a series of infamous pick-up artists and seduction coaches. It is accompanied by a haunting musical score composed by Xiu Xiu.

Curator: Karen Verschooren

A recent recipient of the Creative Capital Award, the Impact Award at Indiecade, a Franklin Furnace Performance Fund Grant, and a Frank-Ratchye Fund for Art at the Frontier Grant, Washko's practice has been highlighted in The New Yorker, Frieze Magazine, Time Magazine, The Guardian, ArtForum, The Los Angeles Times, Art in America, The New York Times and more. Her projects have been presented internationally at venues including Museum of the Moving Image (New York), Los Angeles Museum of Contemporary Art, Milan Design Triennale, Kiasma Museum of Contemporary Art (Helsinki), Shenzhen Independent Animation Biennial and the Rotterdam International Film Festival. Angela Washko is an Associate Professor of Art at Carnegie Mellon University.

Works in the exhibition:

The Game: The Game

• The Game The Game, media installation with custom wallpaper, custom furniture, electronics and custom accessories, 2020
• The Game: The Game, playable video game, 2019
• The Game: The Game Play-through, documentation video, 2018
• Soundtrack by Xiu Xiu

BANGED

• BANGED: A Feminist Artist Interviews The Internet's Most Infamous Misogynist, HD video, 2015
• On Public Opinion: Responses to BANGED, artist book (edition of 300), 2015
• BANGED: A Monopoly on Truth, artist book (edition of 300), 2015
• Evidence of An Ideology: Roosh V, sculpture with books by Roosh V, 2015
• Tightrope Routines, video documentation of live performance, 2016

The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft

• We Actually Met In World Of Warcraft, HD video, 2015
• Nature, HD video, 2012

Heroines with Baggage

• Heroines with Baggage (How Final Fantasy Shaped My Unrealistic Demands for Love and Tragedy), SD video, 2011
• Don't Leave Me, SD video, 2012

All works courtesy of the artist

Since the Fall of 2015, STUK is presenting solo exhibitions of contemporary visual artists with a particular affinity for the moving image. In the past four years, we have had the pleasure to work with Bjørn Melhus, John Akomfrah, Emre Hüner, Joachim Koester, Omer Fast, Nevin Aladağ, Mika Taanila and Sebastián Díaz Morales and Mircea Cantor.